10+ years ago when I began posting daily haiku, I started with haiku in the popular 5-7-5 form. (Five syllables in the first line, seven in the second, and five in the third.) After a year of that, I switched to 3-5-3. In my third year, I did 5-7-5 on Mondays, Wednesdays, and Fridays and 3-5-3 on Tuesdays, Thursdays, and Saturdays, and on Sundays, I rested from all syllable counting. In year four, I didn’t follow any syllabic patterns at all, except accidentally, and in my final year of daily haiku, I wrote a single, 365 link haiku chain in which each new haiku began with the last line of the previous haiku.
This time around, I’m going to do a mix of all those from the start, without focusing on any one approach in any given year. I’ll write to various syllabic patterns, or none at all, and I’ll occasionally attempt some short haiku chains. I’ll also be writing two new types of haiku that I recently thought up:
A haiku sent to me by a friend (Kate Brubeck, who, by the way, is an excellent editor, writer, and writing coach, if you’re in the market for one), gave me the idea of haiku that contain an internal rhyme, so that they also sound like rhymed couplets.
A haiku that uses a line or phrase from one of my favorite poems, written as a kind of homage to the poets I love.
As an example, here’s my first Haikuote, posted on Jan 6, 2022:
my mother knew
the shape a wing makes
in the mind
Which quotes the final line of “Black Birds and Other Birds” by Fran Claggett-Holland.
Haiku I write by starting with the first line of an actual (random) Basho haiku.
Finally, I’ll occasionally post haiku that I’m writing not primarily as a part of this daily haiku exercise, but for two other projects I’ll be working on in 2022:
Write a Haiku with Basho and Freeman
This is a weekly Twitch channel in which I’ll be writing collaborative haiku with my viewers. They will offer first lines in the chat, and then I will use a computer program I wrote to help me find a second line from an actual Basho haiku. Finally, I will write the third line. If especially good haiku get produced this way, I’ll post them to my daily feeds, even though I won’t be the sole author of them.
I’m also currently engaged on a project to render Basho’s haiku into 3-5-3 form.
Even though 5-7-5 is what most people think of when they think of haiku, most of the serious haiku being written in English today ignores that rule, because in Japanese, words tend to have more syllables, so English haiku written in 5-7-5 come out sounding wordier than Japanese haiku. Going to 3-5-3, like I did in the second year of Haiku Diem’s first incarnation, is my way of addressing that issue without giving up the challenge and pleasure of meeting a syllabic requirement. I hope to eventually render enough Basho haiku into 3-5-3 haiku to turn them into a book, and as I progress, I’ll share the occasional Basho 3-5-3 on Haiku Diem.
I hope you’ll follow my efforts. You can do this through Twitter, Facebook, or by email:
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